But suddenly it was very organic when I started playing it. I took piano lessons when I was like 5 or 6 but that was a long time ago. So he said to me, "Would you play piano on this song?" I said, "I don't even play piano!" He told me to try. He said, "Just try it for a few songs." I took the bass guitar and suddenly it was so organic. So he asked me if I would sing with him there and I said, "Oh, yeah, of course." I went to rehearsals with them and he asked me, "Would you play bass guitar?" I had never played bass guitar before but it has always been my dream to play bass guitar. Then my friend said he was playing at the Olympia in Paris. He said, "Would you come to the studio? I would love for you to sing one of my songs." So I went down and ended up going from a background singer to being in a duet. A friend called me up who is an amazing singer who goes by the name Yodelice (Maxim Nucci).I don't know if we have many lives of if I will be reincarnated into a next life, but I really do think that when you die, it doesn't stop.We were happy to have someone with that kind of genius to help us avoid going in the direction of things that are perhaps realistic but are not at all cinematic. Once he stopped a scene and said, 'How dramatic are YOU? Dramatic, dramatic, dramatic! It's boring!' We laughed, and it could seem a bit rude, but he was right.I think that's the gift of the actor, the ability to put ourselves in a state. I have never experimented with hard drugs, but I've been at certain moments of my life in a state of shock close to something where you lose your footing, your sense of reality.
In the beginning of the film she is empty, she doesn't know who she is or why she 's alive.I adore my own life, more and more I love being myself, but I love this work of totally changing personalities, of creating something radically different from myself.I need to feel that for a director it's a matter of life and death he needs to tell this story.I think that when you don't see the boundaries, you cross them without even knowing they exist in the first place.I knew Singin' in the Rain (1952) by heart. When I was a little girl, I always wanted to be in a musical, an American musical.By the time she came to Chicago and met Dillinger, she had already lived several lives - she had been to military boarding school, to learn military manners, to "get the Indian out." She's a mix of someone really sweet and tough. Billie had no money, and she came from an Indian tribe, which, at the time, was not easy. Out of the Depression came all of these people who struggled to live. She's a real product of this really tough period in American history.I remember I was so into it, I cried so loud that the audience around me wanted to take me out of the theater.
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The first English-language movie I saw might have been E.T.It was a dream to me - the passion of the profession was contagious.
I played a little girl with a dog, but I remember my scenes and I was entranced by acting. When I was 5, a director friend of my family put me in his movie.
Both my parents are stage actors, and I was fascinated by their jobs.
What I love in her is that she's not a cliché of the femme fatale. Tina Lombardi was such a beautiful character.
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You learn how to use your emotions and feelings, and my first teacher was my mother and then I worked with my father, who helped me to find in myself all those emotions and how to play with the emotions.
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